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Se7en (1995) [Blu-ray]
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Rated: |
R |
Starring: |
Morgan Freeman, Brad Pitt, Gwyneth Paltrow, John C. McGinley. |
Director: |
David Fincher |
Genre: |
Crime | Drama | Thriller |
DVD Release Date: 04/26/2011 |
Two cops (Brad Pitt and Morgan Freeman) track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. Gwyneth Paltrow also stars in this acclaimed thriller set in a
dour drizzly city sick with pain and blight. David Fincher (Fight Club, Zodiac, The Curious Case of Benjamin Button) guides the action physical, mental and spiritual - with a sure understanding of what terrifies us, right up to a
stunning denouement that will rip the scar tissue off the most hardened soul.
Storyline: A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as
the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The
seasoned and cultured but jaded Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills scoffs at his efforts to get inside the mind of a killer... Written by Mark Fleetwood
Reviewer's Note: Reviewed by Martin Liebman, September 9, 2010 -- Honestly, have you ever seen anything like this?
Filmmaker David Fincher's latest project is a picture that deals with the founding of the popular website Facebook. That sure sounds menial, dull, and purposeless, but considering that Fincher has established himself as one of the top filmmakers of the
past decade or so with titles like The Curious Case of Benjamin Button, Zodiac, and Panic Room -- not to mention his masterpiece Se7en -- to his name, no doubt The Social Network will prove to be a finely-crafted and
wholly-mesmerizing picture that delves well beyond its superficially trivial façade. The point is that Fincher has proven his worth as not just a quality filmmaker -- those are almost commonplace in Hollywood -- but as an extraordinary one, and if there's
one film on his resumé that speaks to just how good he is, it's Se7en, a 1995 Horror/Thriller that tells an absorbing, shocking, and altogether frightening tale of man, sin, society, and the fine line which separates good and evil, doing so with an
incredibly absorbing noir style and first-rate acting that together elevate the film from "exceptional" to "all-time classic."
I don't understand this place any longer.
Big city detective William Somerset (Morgan Freeman,) is a week away from retirement. He's a grisled veteran of the mean and dirty streets, someone's who's seen it all and wears the badge of a dour, downtrodden life on his sleeve. Though he should be
cleaning out his desk rather than working another crime scene, he's called to duty and teamed with a youthful detective with a short fuse and a young wife, David Mills (Brad Pitt, Troy). They're on the case of an obese man forced at gunpoint to eat
until death and soon thereafter called to the scene of a deceased defense attorney forced to remove a pound of flesh from his own body. It's not long until Somerset and Mills realize that they're up against a malicious killer who's murdering individuals
he deems guilty of committing one of the seven deadly sins -- gluttony, envy, lust, pride, sloth, greed, and wrath -- around the city. The killer is leaving behind subtle clues and making it known that the violence is not without purpose but is instead
framed within the context of bringing attention to the decay and ugliness of the city and its people. What begins as a routine investigation becomes an all-absorbing search for answers in the remains of grisly murder scenes that promise only to draw the
detectives deeper into the world of a killer who seems to believe he's operating under the auspices of a higher purpose.
Wanting people to listen, you can't just tap them on the shoulder anymore. You have to hit them with a sledgehammer, and then you'll notice you've got their strict attention.
Se7en's influences in popular culture are readily visible; from Saw to Heavy Rain, Director David Fincher's picture is a model for mood and the thematic undercurrents that see characters on both sides of the law wrestle with
difficult personal and moral issues that will ultimately come to define the very existences of all involved. Superficially, Se7en appears as one of cinema's most brilliantly-crafted pictures; it manages to take several cliché ingredients, including
a constant rainfall and shadowy locales, and turn them into picture-defining elements without which the visual and emotional impact of the story would be greatly reduced. With Se7en, Fincher proves himself to be a cinematic force to be reckoned
with in terms of his ability to so effortlessly craft a picture on mood and atmosphere alone; his eye for detail, deliberate pacing, and uncanny knack for capturing all of the elements of film noir and molding them into a stylistically classic but
visually and thematically contemporary setting and story not only set Se7en apart from the crowd but have cemented the picture as an all-time classic of the cinematic medium.
We see a deadly sin on every street corner, in every home, and we tolerate it.
The visual structure is mighty impressive, but what helps set Se7en apart from other pictures of its kind and define the film and its story are the underlying elements of right and wrong, sin and sinner, and that fine line between proclaiming
malicious justice as a virtue and treating moral, spiritual, and physical wrongdoers as innocents meant to be protected. Se7en doesn't shy away from scrutinizing that line and, in fact, its entire structure is built around its two sides.
Ultimately, the story's three main characters -- the unraveled and inexperienced would-be do-gooder; the crazed killer who butchers in the name of spiritual justice; and the film's and the audience's conscience, a man who's something of a detached
observer who quietly finds pluses and minuses from both ends of the extreme -- collide in dramatically tragic fashion and stomp on and erase from existence that line, replacing it with base instincts that show that both the best and worst of intentions,
actions, and feelings can and often do supersede the rational elements that supposedly make man the superior species, regardless of which side of that line each individual ultimately settles. Perhaps what Se7en is saying is that it's not man's
place to weed out wrongdoers, no matter one's perspective, side of the law, or underlying intentions. In Se7en, the act of combating evil only creates more evil, and the result is a world that seems perpetually destined to the doom and gloom from
which both the protagonists and the antagonists wish to free it.
The world is a fine place, and worth fighting for. I agree with the second part.
Rounding out the picture into a pitch-perfect masterpiece are several Oscar-worthy performances from three of the 90's top stars; Brad Pitt, Morgan Freeman, and Kevin Spacey are nothing short of mind-bogglingly brilliant in Se7en, with Freeman
delivering a powerhouse performance of the subdued. No doubt Se7en is Freeman's picture; his character is the film's moral and intellectual center who finds a physical and emotional balance between two extremes and sees the events unfold from the
perspective of both the law and the civilian doling out his own brand of godly wrath. Freeman's character is strongly written and performed even better with the actor unearthing all of the subtleties and nuances that make Somerset the film's most
fascinating, but also most ironic, character. Somerset sees the world much in the same was as the film's antagonist views it; he sees a decayed, hopeless environment from which he's chosen to escape by leaving behind his home and career, even if the
city's all he's known and his career what he was seemingly born to do. Considering the picture's honest look into Somerset's life, one can't help but believe that he agrees with the antagonist's points -- to an extent -- illustrated by Freeman's effort in
a crucial scene as he observes a back-and-forth exchange between Mills and the killer in the final act and framed marvelously by David Fincher who simply allows Freeman's delicate facial expressions to capture the character's depth to a level more
strongly realized here than in any other place in the picture. Spacey makes up for his character's limited screen time with an effort that's a match for Freeman's; Spacey thoroughly convinces the audience of his character's reasonings and beliefs, and his
ability to transform into the character and play such a complex and emotionally challenging part with aplomb should have been recognized with a Best Supporting Actor nomination. Pitt, too, turns in one of the best efforts of his career as an unbalanced
but committed detective who plays a central role in the story, the actor proving here that he's more versatile than his magazine-cover good looks might otherwise suggest.
Se7en joins films such as Glory and Road to Perdition as a picture that was grossly overlooked come awards season; failing to garner any number of deserving nominations such as Best Director, Best Actor for any of its three male
leads, Best Cinematography, Best Sound, or Best Picture, David Fincher's film will have to settle for its status as a fan- and critic-favorite that, at time of writing, sits at #28 on IMDB's user-generated list of the top 250 pictures of all time. Rarely
has there been a picture as visually smooth but fundamentally unnerving as Se7en; David Fincher's picture is a work of art that's as likely to dazzle the senses as it is to devastate them, as sure to delight viewers as it is to emotionally drain
them. It's a complex film of dark themes and darker visuals, but Fincher's construction results in a picture that's at the top of the cinematic landscape and a hallmark of moviemaking done absolutely right. Warner Brothers' Digibook Blu-ray release easily
finds itself in the running as one of the year's top 10 Blu-ray releases. Featuring a wonderfully cinematic 1080p transfer, an immersive 7.1 lossless soundtrack, and a host of extra content, fans of the film and Blu-ray aficionados alike need to make this
release a permanent addition to the collection. Se7en earns my highest recommendation.
[Show Spoiler][Hide Spoiler]
Detectives David Mills (Brad Pitt) and William Somerset (Morgan Freeman) are tackling a grisly case. A serial killer is targeting people who represent the seven deadly sins. (Each victim has a more and more disturbing murder scene.) In the finale, the
detectives represent the final two sins: envy and wrath.
Cast Notes: Brad Pitt (Detective David Mills), Morgan Freeman (Detective Lt. William Somerset), Gwyneth Paltrow (Tracy Mills), R. Lee Ermey (Police Captain), Andrew Kevin Walker (Dead Man [as Andy Walker]), Daniel Zacapa (Detective Taylor), John
Cassini (Officer Davis), Bob Mack (Gluttony Victim), Peter Crombie (Dr. O'Neill), Reg E. Cathey (Coroner [as Reginald E. Cathey]), George Christy (Workman), Endre Hules (Cab Driver), Hawthorne James (George, Library Night Guard), William Davidson (Library
Guard [as Roscoe Davidson]), Bob Collins (Library Guard).
IMDb Rating (02/16/18): 8.6/10 from 1,167,005 users Top 250: #22
Additional information |
Copyright: |
1995, New Line Home Entertainment |
Features: |
• 4 Commentaries Featuring Director David Fincher, Actors Brad Pitt and Morgan Freeman and Other Collaborators on the Film
• Additional/Extended Scenes
• Alternate Endings
• Exploration of the Opening Title Sequence from Multiple Video Angles with Various Audio Mixes and 2 Commentary Tracks
• Production Design and Still Photographs with Commentaries
• The Notebooks: Full Motion Video Details "John Doe’s" Writings
• Mastering The Home Theater: Includes Alternate Angles And Audio Between Original And New Maters
• Theatrical Trailer |
Subtitles: |
English, Spanish |
Video: |
Widescreen 2.40:1 Color Screen Resolution: 1080p Original aspect ratio: 2.39:1 |
Audio: |
ENGLISH: Dolby Digital 5.1
ENGLISH: DTS-HD Master Audio 7.1
SPANISH: Dolby Digital Stereo
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Time: |
2:07 |
DVD: |
# Discs: 1 -- # Shows: 1 |
UPC: |
794043144530 |
Coding: |
[V4.5-A4.5] VC-1 |
D-Box: |
Yes |
Other: |
Producers: Arnold Kopelson, Phyllis Carlyle; Directors: David Fincher; Writers: Andrew Kevin Walker; running time of 127 minutes; Packaging: HD Case. There are supposed to be motion codes for this title but they could not be
found for this remastered Blu-ray edition. |
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